大展览

所属分类:建筑艺术  
出版时间:2011-7   出版时间:中信出版社   作者:[荷兰]马琳•罗斯•威廉姆斯(Marlous van Rossum-Willems),萨拉•舒尔茨(Sarah Schultz) 著  
Tag标签:展示设计,展览展示,设计  

内容概要

  1、商业空间设计在塑造着迷人的氛围,营造人们美好的体验。商业空间设计在展示设计中越来越重要,而设计师在品牌识别中发挥着非常重要的作用。
  2、在Grand stand出版后,Frame出版社随着商业空间设计的迅速发展,推出了Grand stand2和Grand
stand3。本书的出版几乎与国外的Grand
stand3(2011年5月)同步出版,是Frame出版社首次授权中国同步出版。
  3、书中包括136个从从全球范围内精选出来的最新优秀商业空间设计项目,所有这些项目都是过去三年里最受参观者与商业品牌青睐的那些商业空间设计项目。此次首次引进到中国大陆。
  3、全书520页,按行业分为9大类:建材、电子、家电、照明、自动化、服饰等。每个商业空间为2-6页,包括对每个项目设计理念的分析、资金运用、很全面的线条图、平面图、手绘图、模型图和图注。
  4、项目均是来自全球知名品牌的商业展台,如Audi, Diesel, HSBC, Nike, Mercedes-Benz,
Reebok, Samsung, Sony等。
  5、知名设计师,如Atelier Markgraph, D’art Design, nendo, Patricia
Urquiola, Stefan Zwicky and UNStudio。

作者简介

  马琳·罗斯·威廉姆斯(Marlous van Rossum-Willems/萨拉?舒尔茨(Sarah
Schultz)是FRAME出版社的两名资深编辑。

书籍目录

01 服装的展示空间设计
adidas, D’art Design
Diesel Be Stupid, Wink and Diesel creative teams
dunhill, Campaign
Hugo Boss, Liganova
Nike Action Sports,Nike Brand Design Western Europe
Salomon/Bonfire, Stockwerk
02 建材的展示空间设计
Armstrong, LAVA
Cascade Coil, Hassell
Eternit, Astrid Bornheim Architektur
Gira, Ueberholz
Modular Exhibit Systems, Aluvision
Theatre, A-Booth and Horizon Creative
Weltholz Sortimente, KMS Team
03 消费品的展示空间设计
101 Woonideeen, Ingrid Heijne Interior Design
Coop Italia, vc a | vannini+cesaretti
Imagine, Apostrophy’s the Synthesis Server
MOST, plajer & franz studio
Payot Libraire, MBD Espace
Sappi, Walbert-Schmitz
04 电子产品的展示空间设计
Canon, Akihisa Hirata and Kyota Takahashi
Electrolux, D’art Design
Intel Corporation, 2LK Design
Konami, Heller Designstudio
Samsung, Schmidhuber + Partner
Sony, Mo Ka
05 室内产品的展示空间设计
361°, nendo
Caps deserve a second chance, HFT Stuttgart
Roca, dan pearlman
TOTO, Mach Architektur
06 照明产品的展示空间设计
Havells Sylvania , Wit Design
Modular Lighting Instruments, Rotor Group
Norlight, Giancarlo Tintori
Occhio, Drandle 70|30 and Martin et Karczinski Pallucco, Out
07 汽车的展示空间设计
Audi, Schmidhuber + Partner
Citroen - Moving Landscape, dotdotdot
Mercedes-Benz USA,Dimensional Communications
MINI, Franken Architekten
smart, BraunWagner
Volvo S60, KNOCK
08 服务业的展示空间设计
HSBC, atelier oi
Specific Media, Delafair
TOT, Apostrophy’s the Synthesis Server
Turnbull & Associés, Randja Architects
09 鞋及配饰的展示空间设计
Citizen, creative designers international
M&CO
Reebok, Everyone Associates

章节摘录

插图:01
Appare
lADIDASD’art
DesignWhere
/Bread
&
Butter,
Berlin,
GermanyWhen
/
January
2010Client
/
adidasMarket
sector/
Sportswear
At
the
Bread
&
Butter
fashion
fair
in
Berlin
in
2010,
the
adidas
stand
crafted
by
D’art
Design
gave
visitors
a
vibrant
first
impression
of
the
brand’s
winter
collection.
The
stand
was
surrounded
by
a
hedge-like
fence
of
intertwined
white
plastic
tubing
that
curled
around
backlit
panels
featuring
the
adidas
logo.
The
mesh
allowed
visitors
to
peek
into
the
stand
without
actually
having
to
enter,
but
the
invitingly
open
exhibit
generated
overwhelming
visitor
numbers
nonetheless.
D’art
Design
constructed
the
stand
using
a
palette
of
whites
and
blues
which
represented
the
colours
of
both
the
brand’s
logo
and
its
winter
collection.
Mannequins
sporting
the
adidas
winter
gear
were
arranged
in
sociable
clusters.
Positioned
on
a
raised
boardwalk
encircling
the
fence,
the
models
appeared
as
if
on
a
catwalk.
A
lounge
area
serving
drinks
in
the
lower
level
of
the
stand
provided
visitors
with
a
bit
more
privacy
for
discussions.
Adding
to
the
striking
visual
presentation
was
the
lighting
design.
Light
sticks
tucked
into
the
hedge
were
the
same
shade
of
blue
as
the
adidas
panels.
The
azure
light
pouring
out
of
the
elements
spilt
across
the
floor,
forming
the
three
striking
parallel
stripes
that
make
up
the
adidas
logo,
creating
an
exciting,
graphic
effect.
D’art
Design

agency
for
spatial
communications

was
established
in
1991
and
consists
of
interior
architects,
communication
and
product
designers,
and
project
managers.
Located
in
Neuss,
Germany,
the
company
works
in
the
field
of
retail
and
exhibition
design,
and
event
implementation.
The
firm
is
known
for
creating
visionary
concepts
that
can
be
realised
both
through
architecture
communication
and
design.
BJORN
BORGM+
AmsterdamWhere/
Modefabriek,
Amsterdam,
the
NetherlandsWhen
/
January
2009Client
/
Bjorn
BorgMarket
sector
/
Menswear
and
womenswear
M+
Amsterdam
was
asked
to
craft
a
booth
for
fashion
brand
Bj.rn
Borg’s
appearance
at
Modefabriek,
held
in
Amsterdam
in
2009,
which
the
label
would
be
able
to
reuse
at
future
trade
fair
presentations.
The
design
studio’s
solution
was
to
base
the
appearance
of
the
stand
on
the
recognisable,
round
logo
of
the
brand,
and
its
corporate
colours
of
red
and
white.
The
booth
was
set
up
as
an
architectural
installation
that
visitors
were
invited
to
explore.
A
white
wall
surrounded
most
of
the
stand,
hiding
what
was
inside.
Large
voids
cut
from
the
side
walls
were
fitted
with
mirror
glass,
which,
thanks
to
intelligent
lighting
solutions,
allowed
visitors
to
look
inside.
One
large
circular
opening
cut
from
the
stand’s
exterior
wall
allowed
passers-by
to
take
a
closer
look.
Positioned
right
behind
this
opening
was
a
rotating
platform
on
which
mannequins
presented
key
items
from
the
brand’s
latest
fashion
collection.
The
opening
was
designed
as
an
oculus
(Latin
for
eye)
that
would
tempt
visitors
to
enter
the
world
of
Bj.rn
Borg.
Inside,
the
vibrant
and
intense
colours
of
the
fashion
and
accessories
collections
displayed
stood
out
strongly
against
the
backdrop
of
white
and
mirrored
walls.
The
mirrors
not
only
added
to
the
aesthetics
and
visibility
from
the
exterior,
they
also
optically
enlarged
the
stand.
STUDIO
M+AMSTERDAM
was
founded
in
the
year
2000,
and
is
headed
by
Maurice
van
Bakel.
In
recent
years,
the
studio
has
designed
a
significant
number
of
trade
fair
stands
and
corporate
events
for
a
growing
portfolio
of
clients
at
home
and
abroad.
The
studio’s
client
list
includes
Bj.rn
Borg,
Converse,
Tommy
Hilfiger
Denim,
Miss
Sixty,
Otazu
and
many
more.
BURLINGTONFASHIONKeggenhoff
|
PartnerWhere
/
Premium,
Berlin,
GermanyWhen
/
July
2009Client
/
Burlington
FashionMarket
sector
/
Menswear
and
womenswear
For
its
first
appearance
at
fashion
fair
Premium
in
2009,
high-end
clothing
company
Burlington
commissioned
design
office
Keggenhoff
|
Partner
to
develop
its
stand.
Burlington
requested
the
brand’s
artistic
nature
was
clearly
represented,
as
well
as
the
qualities
it
has
become
renowned
for,
namely
its
creativity,
progressiveness
and
love
of
details.
Keggenhoff
|
Partner
created
a
framework
based
on
Burlington’s
two
competing
product
Colourful
nails
hammered
into
the
wood
reflected
the
hues
of
the
collection.
lines.
The
design
agency
used
the
names
of
the
collections,
Black
and
White,
to
shape
a
visual
partition
where
each
was
defined
by
its
colour.
The
atmosphere
of
the
White
label
appealed
to
consumers
with
an
affinity
for
sporty
casual
wear,
with
the
zone
presented
as
a
woodland
environment.
Keggenhoff
|
Partner
used
a
birch
bark
print
as
the
principal
decoration.
The
print
unified
the
space,
covering
everything
and
creating
a
wall-meetsfloor-meets-bench
effect.
Props
extended
the
theme.
Select
items
of
clothing
were
hung
from
individual
hat
stands
where
the
arms
of
each
stand
were
shaped
to
resemble
tree
branches.
The
Black
collection
zone
was
defined
by
Keggenhoff
|
Partner
as
pure,
simple,
urban
and
sexy
where
the
use
of
metal
gave
the
space
a
severity
that
was
reflected
in
the
presentation
of
the
clothes.
The
two
halves
of
the
stand
underlined
Burlington’s
key
attributes.
Based
in
Neheim,
Germany,
design
office
KEGGENHOFF
|
PARTNER
is
led
by
Sabine
Keggenhoff
and
Michael
Than.
Working
internationally,
the
firm
focuses
on
the
development
of
concepts
in
the
fields
of
interior
design,
architecture
and
corporate
architecture.
The
keywords
the
firm
applies
to
each
tailor-made
design
are
elegance,
emotion
and
function.

编辑推荐

在Grand stand出版后,Frame出版社随着商业空间设计的迅速发展,推出了Grand stand2和Grand stand3。《大展览》的出版几乎与国外的Grand stand3(2011年5月)同步出版,是Frame出版社首次授权中国几乎同步出版此书。

图书封面

图书标签Tags

展示设计,展览展示,设计




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用户评论 (总计29条)

 
 

  •     书还不错,图片比较多,内容够多,就是送的速度实在太慢了!
  •     发货速度很给力!和书店正版的一模一样,冲着这本书来买的,内容就不用解释了~
  •     内容还不错,有不少值得参考的东西。送货挺快!
  •     展览类范书,可以通过书内学习很多不错的展览方式
  •     书的内容还是挺好的!
  •     内容比较丰富,不过案例都有点儿老了,虽然是2011年7月出版的。
  •     虽然价钱小贵,不过内容还不错,里面的展台都是国外的,多看看可以有一定的启发,每个展台只有几张图,没有详细讲解和图示,只是看个大概效果。里面图片都很大很清晰,颜色也很正。文字是外文的。
  •     很好的参考资料手下人说挺有用的。
  •     买给公司的设计师用,都说好用
  •     也是非常的详尽。,作为一种参考
  •     喜欢奥美且有耐心的同志,挺好一本书
  •     很大师很范儿的一本书,大概翻了下
  •     按步就班的理性角度。提供新的思维方式。给广告人打开了一扇通往狂喜的窗口。,虽然还没开始读。相信它会给我带来惊喜
  •     刚入门的可以稍微考虑。,与巴黎的魅力对话
  •     还没有看,前几天到了
  •     拜读研究下,质量好、速度也快~
  •     价格高了~~~~~,还有每天都能听到的海鸥声。
  •     这本书无疑在收拢整理我的思绪,配图太小
  •     选图不好,拿到手才发现全图都是彩页的效果图
  •     买送同学的,内容挺好的。
  •     这本书是对于建筑学的学习是很有用处的,讲述了汉字很有趣的一面。
  •     内容没有那么丰富……,适合初学着学习
  •     对于复杂的理解是一种颠覆性的定义,一次很好的分享
  •     对于研发项目管理的人来说 不可多得的工具书,要失望了
  •     希望每个喜欢产品设计,首先这本书的装帧很不错
  •     基本上把整本书都画了一遍,光盘内容整理的很好。还附送了好几个商业空间的整体模型
  •     对于新手不是很适合!!!,比较系统的介绍lightroom。介绍Lightroom的书太少了
  •     挺有参考价值,书还是很不错的
  •     自己学着做,他们不仅仅是大师
 

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